Matt Parsons

Digital Art

My interest in digital media has developed over the years alongside maintaining a profession as a scenic painter in the film industry.

I am fascinated by the fluidity of digital media and the endless possibilities it opens up for developing ideas and creating images.

 
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. Invented military portraits dressed into ‘Cold War’ bunker set. Digitally painted images, printed onto canvas, framed, varnished and aged down.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Pennyworth’ Series 2 – Warner Horizon Television  2020. One of a series of six digitally painted portraits of imaginary military generals.
‘Old Master’ – Digitally composited painting 2019.
‘Kalila wa Dimna’  2021.  Pilot episode for a proposed animation/live action television series of the ancient fables. Digital artwork depicting the Emperor and the Philosopher.
‘Kalila wa Dimna’  2021.  Pilot episode for a proposed animation/live action television series of the ancient fables. Digital artwork depicting the Emperor and the Philosopher.
‘Kaf El Amar’ – Film, Egypt  2011. Still from the film’s animated title sequence. Original drawings applied to 3D model.
‘Kaf El Amar’ – Film, Egypt  2011. Still from the film’s animated title sequence. Original drawings applied to 3D model.
‘Kaf El Amar’ – Film, Egypt  2011. Still from the film’s animated title sequence. Original drawings applied to 3D model.
‘Kaf El Amar’ – Film, Egypt  2011. Still from the film’s animated title sequence. Original drawings applied to 3D model.
‘Kaf El Amar’ – Film, Egypt  2011. Opening shot of the film: fade from 3D model to film set.
’18 Days’ – Feature Film, Egypt  2011. The Egyptian uprising of 2011 depicted through twelve separate stories from different directors. A digitally composited image showing a concrete wall with revolutionary imagery and graffitti – to be used as part of the film title sequence.
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